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Acknowledgements

The directors of The No Boundaries Archive Project wish to thank the choreographers, performers, filmmakers, designers, and production personnel for their artistic contributions to NO BOUNDARIES and willingness to share their work as part of this archival endeavor. We are deeply grateful to the artists, educators, administrators, students, and scholars who have offered, and continue to offer, their voices and expertise to the No Boundaries Archive Project and the No Boundaries Digital Archive.

It takes a dedicated team to realize the vision of the No Boundaries Archive Project. In addition to the ongoing efforts of Gesel Mason Performance Projects and Dancing Digital, we would especially like to acknowledge the contributions of Carlson Coogler, Jessika Davis, Ellen Kamoe, Amma Y. Ghartey-Tagoe Kootin, Cheles Rhynes, Molly Roy, Kate Speer, Marcos Davi Silva Steuernagel, Digabyte AMD, Striped Horse Digital, and the team at Whirl-i-Gig: Seth Kaufman, Wai-Yin Kwan, Eve Perry, and Selina Mangaroo. A full list of recent advisors and research team members, along with their biographies, can be found on our progress blog.

Photo Credits: 

  • "Home" page: Photo of Gesel R. Mason performing Jawole Willa Jo Zollar's "Bent" by Amitava Sakar
  • "Explore the Archive" page: Photo of Gesel R. Mason David Rousseve's "Saturday's Child" by Enoch Chan

 

Funding

The No Boundaries Archive Project and the No Boundaries Digital Archive have been generously funded by Digital Humanities Advancement Grants from the National Endowment for the Humanities, with additional support from the Collaborative Arts Research Initiative and Alabama Digital Humanities Center at the University of Alabama, and the College of Fine Arts at the University of Texas at Austin.

NO BOUNDARIES: Dancing the Visions of Contemporary Black Choreographers received significant support from the National Endowment for the Arts, National Endowment for the Humanities, University of Colorado Boulder, and University of Texas at Austin. Additional funding has been provided by National Performance Network, The Whiting Foundation, NEA Arts Work, and New England Foundation for the Arts.





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